Thursday, February 11, 2010

Axum

Axum


A Solo Exhibition of the artwork of Eyob Mergia


Gallery Opening Friday February 12th, 7-9pm
At Augustana’s Eide/Dalrymple Gallery


The works will be on display from February 12th until March 11th.


This show includes a collection of works done in the period from 2002 to 2010, based on conceptual elements of Axum.


Wisdom of Axum Click the picture to enlarge.


Wisdom of Axum, 2010



AXUM: HISTORICAL CONTEXT


Axum was a city, the capital of a kingdom and the center of a civilization.  From four hundred years before Christ until nearly six hundred years after the fall of Rome, the area that is now Ethiopia was ruled from the city of Axum, the capital and crown of the Kingdom of Axum.  At the height of its power, Axum was a force to be reckoned with both on land and at sea and was one of the four kingdoms of the world.  Both Roman and Byzantine accounts attest to Axum’s influence in trade and commerce.  The legendary Queen of Sheba reigned in the region eight or nine centuries earlier; her historic journey to King Solomon’s court in 980 BC, with 700 camels loaded with gold, ivory and other gifts, is well documented in the Old Testament. Her bathing pool and substantial remains of her palace can still be found in Axum.

The Axum civilization was one of the first to adopt Christianity (in the early 4th century), but the obelisks pre-date the Christian period.  Perceived as the cradle of Ethiopian civilization and once the gateway between Africa and Asia, Axum was a thriving trading centre when Jesus was preaching in Palestine.  Ships from Egypt, India and other countries in the orient stopped off there to load up with gold, ivory, incense, spices, hides as well as live animals such as elephants and monkeys.

Part of its success in commerce was due to its unique location—on the Red Sea between the African continent and the Arabian Peninsula; it was well-positioned to take advantage of trade routes.  At this crossroads between cultures and continents it drew elements from its South Arabian as well as North African neighbors.  The Axumite civilization developed its own form of writing, called Ge’ez, which is still used to write several languages, including Amharic and Tigrinya, two of the languages spoken in modern-day Ethiopia.  Another lasting and significant contribution of the Axumite period is its distinctive architecture, echoes of which can still be seen today.

AXUM: THE STELAE


One of the enduring architectural remnants of the Axumite period are the stone monuments known alternately as obelisks or stelae.  They are thought to have been erected to mark burial sites, as monuments to the dead, but they have come to be the symbols of the Axumite civilization.  These obelisks vary a great deal in size and are found throughout the region, but the largest and most well-known stele, the Obelisk of Axum, is nearly eighty feet tall.

AXUM: THE OBELISK of AXUM


In 1937, in the aftermath of Fascist Italy’s brief conquest of Ethiopia, one of the stelae now known as the Obelisk of Axum was carried in pieces to Rome by Mussolini in 1937, as spoils of war.  For decades it was a source of contention between the two countries—various Ethiopian leaders called for its return, and various Italian leaders cited technical difficulties and high costs of transport as obstacles.  Finally in April 2005 the Obelisk was returned, again in pieces, to the city of Axum - 68 years after it was looted by Italian fascists.

For more information, visit my website.

Tuesday, February 2, 2010

Axum: A Solo Exhibition

On Friday, February 12th from 7 to 9pm there will be a reception at Augustana's Eide/Dalrymple Gallery to open up my solo show, Axum.  The show will be open for a month--February 11th to March 12th. I've been working on the pieces in this show, and the concept behind it, for several years now, and I'm looking forward to it. Come join us and enjoy the exhibition.

AxumPoster

Monday, December 28, 2009

Article in the Argus Leader

[caption id="attachment_287" align="alignleft" width="242" caption="Page One of the Argus Leader article"]Page One[/caption]


This weekend the Argus Leader published an article about some of my recent work, focusing particularly on the Seven Days of Creation that I wrote about several posts ago.  Click on the pictures to read the full article.

[caption id="attachment_287" align="alignright" width="132" caption="Page Two"][/caption]

For more photos and news, go to my website.

Monday, November 23, 2009

The Cello Dream


The Cello Dream, 8' X 2 1/2'





Detail of the cello Layers of oil paint create a dynamic texture

The Cello Dream  8’ x 2 ½’

One of the projects I’m working on now is a musical concept inspired by one of my earlier ideas.  This painting is eight feet tall by two and a half feet wide, and will be displayed at Avera McKennan’s new Cancer Institute.


As I thought about this painting, it reminded in some ways of the paintings of Marc Chagall , especially the way he treats some of the human figures.  In this painting,The Birthday Gift, the viewer receives an unmistakable cue that this is more about dramatic movement than realistic portrayal.  The people represented are not rooted in reality, planted on the floor, but floating unhinged and unanchored.  The way they are depicted allows us to see them in the motion of the moment they are living.


In this painting, my cellist plays under a full moon and we are carried by the composition, by the musician’s movement and position, through his dream up to the moon itself.


Works of art are able to communicate across a broad spectrum of people.  Regardless of the viewers’ age and culture, education and economic situation, a piece of art affects its audience.  My hope for this painting, as it communicates with people of all different backgrounds, is that it will open a window for the viewers to drift into their own thoughts.


P.S.  A word about an upcoming event:  I have a month-long solo show at Augustana College, going up on February 11th.  It’s going to be one of my more experimental shows.   For more photos and news, go to my blog.



Tuesday, July 28, 2009

7 Days of Creation: Final Design

The 7 Days of Creation is finally coming to an end with the design finalized. The project consists of 8 mosaic panels each  measuring 23 ft high and 7 ft wide.  The images above are a photoshopped view of what the outcome will be when the project is totally finished. This is the vision I had for this project and the design has me very excited.

This kind of art is not just made for business but for awareness and change that will give birth to a new kind of creativity for our city as well as mature the influence of art in society. It has been a very busy and difficult month but the outcome is like a light itself bringing excitement, hope, and anticipation. I feel like this project is a representation of the kind of thing I have always wanted to achieve in my life and one of the most influential imprints I have made in art. It makes me feel like I have given back to the world like it gave to me.  Nevertheless, There is more to come!



Click on the images to enlarge!

For more detailed pictures of the design, visit my website.


www.eyobart.com

Friday, June 12, 2009

The Seven Days of Creation

This new piece of mine will have alternating glass areas and mosaic tile wall panels. Each panel measures approximately 23ft high x 7ft wide. There will be a total of eight panels. The theme, The Seven Days of Creation, will be expressed in abstract. The design is already selected by the church, Our Saviors Lutheran Church, and the whole piece is still under major development. One of the best things about this piece is that, like Genesis, it is great for incorporating into graphics, oil paint and even relief. This is one of the latest projects I am doing for 2009.

Genesis 1:1 In the beginning God created the heavens and the earth.

You may click on the image to see the entire painting!



www.eyobart.com

Tuesday, April 28, 2009

Genesis

I have been working on this 29 by 8.5 ft drawing this spring as part of  my research and preparation for a  mosaic and tile project on spiritual art.

This drawing entitled Genesis intends to show Light/Darkness, Word, the Universe, Creation, Civilization, Religion and Spirituality, Birth, Imagination, Form, the Mystery of other Dimensions, and the Human Soul.

In the Beginning was the Word and the word was with God and the word was God! John 1:1

-- Click to enlarge the images.--




Eyob Mergia: An Ethiopian artist rising in America

Local Painter Showcases Ethiopian Culture and Artwork

Spring 2011 Issue of SD Artwork