March 6th Trolley Tour and More...

Rhythm of Jazz

            After roughly three years, I have finally got the opportunity to move my studio downtown again. For personal reasons, I had used the studio to escape from the public and do art for myself, developing different aspects of my technique and idea. Nevertheless, most of my time spent confined was great and I believe that it has opened more doors for me to work with other professionals such as Perspective Inc. For the next two years, I am planning to work with them in different projects and collaborations in hopes that their architectural influence and concepts might be incorporated within my own art. It will be a fun year!

            Herewith, the March 6^th Sioux Falls Trolley Tour is approaching soon and some of my pieces will be displayed throughout the Perspective Inc. building starting at 5:30 P.M.  My exhibit will differ from my past in that I will be displaying much more drawings and sketches than paintings. As an artist, when I look at my paintings, I try to see them through the eyes of potential viewers which allows me to truly judge the sincere skill of my work. Thus, I believe that paint alone cannot make a piece beautiful, but the skill of the composition, sketch and drawing that is in its backbone.

            Personally, my goal is not to be a famous or “great” person but to leave behind a legacy that is not defined by who I am but of the skill of my art. Though art may change according to time and place, the reason behind its existence will always remain. It exposes yet has the potential to guide the culture and era that produced it. Therefore, I want, not my identity, to be kept within changing time but the existence and concept of art as a language.  

            Also, one of the most beautiful instrumental artists, Nebiyu Kebede from Washington D.C has decided to cover his latest album with one of my paintings, The Vine of Axum. His music is inspirational and serves as a language itself though now words are used. The whole album is a great experience and unlike any other type of music. 

            In addition, I wanted to thank Carl Grupp and Rob Robinson for the comments they made in the PBS documentary that aired earlier January.

Welcoming The Year 2009!

 

 

 

       

                                                               Alpha and Omega

For me, 2008 was not a productive year; however, I have witnessed a lot of progress within my work as it had matured. I have put a lot of focus and emphasize on the concept of Axum, as in the painting above, with cultural design in which I have learned a lot about myself as an artist and began to see my identity protrude out of a long process of incorporating Axumite designs.Since I started alot of my artwork, within the last ten years, on a realistic and modern perspective, my main focus is to now incorporate those perspectives into the ancient and iconic history of Ethiopian Christian Art. However, Although I have focused on the concept of  Axum for the last 5 years, I am still planning to remain there for the years to come.  All this will be for the Augustana College solo show in 2010.

            In addition, I will be featured in is a PBS documentary film on art in my life. This film will also include the students, teachers and other critics as they comment on my work. The programs and times of when the episode airs will be included in the PBS link above. I am anticipating a very good outcome on the film and believe that it is a good way to listen on what others think about my work. It will be fun!

 www.eyobart.com  

 

www.eyobtibeb.typepad.com

 

 

 

 

 

 

 

 

 

 

           

The PBS filming my life

We are working at this time with pbs tv dakota life. Its very interesting and probabily you can see in this film many of my work that never displayed on a show. Which is great for me to display in this decomtery film.

PBS working my life story.

The PBS asked me to work about my life story in art art.

decomuntry film

The Obelisk of Axum

                       

                        The Spirit of Axum

 

This drawing is one of the pieces displayed from the Axum series at the new Black Sheep Coffee House on North Cliff and Benson. This new Black Sheep will be a permanent place for my pieces.

 

Background

 

            Axum, or Aksum, is a city in northern Ethiopia named after the Kingdom of Aksum, a naval and trading power that ruled from the region ca. 400 BC into the 10^th century. The kingdom was occasionally referred to in medieval writings as “ Ethiopia”. It was the centre of the (eventual) Christian marine trading power the Aksumite Kingdom, which predated the earliest mentions in Roman era writings (around the time of the birth of Jesus) in good correlation to the expansion of Rome into northern Africa, and later when it developed into the Christian kingdom, was a quasi-ally of Byzantium against the day’s Persian Empire. The historical record is unclear, primary sources being in the main limited to ancient church records. The Ethiopian Orthodox Church claims to possess the Ark of the Covenant or tabot in Axum. The object is now kept under guard in a treasury near the Church or tabot in Axum. The object is now kept under guard in a treasury near the Church of Our Lady Mary of Zion, and used occasionally in ritual processions. But versions of the Aksum

tabot are kept in every Ethiopian church, each with its own dedication to a particular saint, most popularly Mary, George and Michael. It has been plausibly suggested that the claim that the Aksum tabot is the real thing.

Concept

            These paintings were done under the inspiration of the Byzantine Art period. Also, it was inspired by the return of the after 71 years from the Italian government or the Obelisk of Axum. This awakened a strong nationalistic movement in the Ethiopian people. This is why it is like a new period art for me as a an artist. It's funny because The Italian Government thought it a victory after stealing it from Ethiopia. This would be the equivelent of us taking the Mona Lisa from Italy and rejoicing over it. It does not make much sense. However, the reason why I chose this concept is because I believe it is crucial to understand and express my roots that are apart of my artistic identity. I used many elements in this series including the 300 B.C architect movement which I took this and started to incorporate it into my artwork progressing it into a new level and perspective. Most of the paintings are based on Christian symbolic elements that are mixed into my paintings creating a language in art form. This form has layers that build on each other to convey a message to the inward parts of a human soul with the use of symbolic religious elements. There are many more religious pieces on the site.

For more information go to  

 www.eyobartblog.com

 www.eyobart.com

 

Vine of Axum

 

 

 

            This is the last painting I painted on the concept of Axum. However, I am interested in using elements of Axum in my future paintings because they are apart of my artistic techniques. Basically, I will not be evolving the concept of Axum but taking the elements from it and incorporate it into other ideas.

            This painting is different from any other painting because I used the medium of oil paint and used it to make it look like watercolor. I have also created it using pastel colors to make it look more like a drawing. This was the challenging part but it is also the same part that gives the painting its quality.

            The circles, birds, Axum, and the leaves represent my personal ambitions and pride I have for Ethiopia but in an abstract way. As a verb, “to abstract” means to take from, to extract the essence of a thing or idea. In a basic sense, of course, all art is abstract because it is not possible for the artist to reproduce exactly what is seen. Other good examples of abstract artists include: William De Kooning, Richard Diebenkorn and Lee Bontecou. Nevertheless, abstract cannot be naturally in you but it is something that needs to be developed over time as a language.